Try challenging yourself by preserving the purity of that recording by restraining yourself from compressing at all, and rely on volume automation to get it to sit in the mix. To the extent that I don’t believe that I can recall the last time I mixed a vocal, lead or backup, without some amount of compression.Ī great performer captured well should leave you with a solid recording. Use No Compression at AllĬonversely, I believe we tend to over-rely on compression in modern productions.
Another technique to consider trying is mixing in parallel - or using a blend of the wet/dry signal, and fortunately, many newer plugins offer a control that allows you to do so.īy combining the hyper-compressed signal - and I’m talking well over 10 dB of gain reduction - with the original signal, the resulting sound will retain the natural musical nuances of the original while benefiting from the boost in perceived loudness, transient shaping, and harmonics generated by the compression.ĭrums, Bass, even Lead Vocals - don’t be afraid to at least try squashing your material.
#Izotope trash 2 vs fabfilter saturn full#
Tastefully done and within the correct context, squashed sounds can be fun and full of character.Ĭompressors like the Distressor lend themselves to being abused this way. Using lots of compression can certainly leave you with an unnatural sounding result - but don’t let this deter you from doing so. Some engineers swear by keeping performances sounding natural. But it remains in my inventory, you know, just in case.Article Content 1. They were clearly aiming for an entirely different market segment with that one. One distortion plugin I never use is iZotope's Trash. Sometimes, they deliver all the distortion I need even if that's not their main purpose.
#Izotope trash 2 vs fabfilter saturn driver#
Cosmos, Bus Driver and RBass come to mind. Then there are the hybrids that happen to produce distortion along with their primary effect. They're not just for guitars! Run them in parallel on a rock vocal, for example, to add grit. Don't forget amp sims and stompbox emulations. It can give you anything from barely-detectable to full-on dirt. For more extreme distortion, especially on bass, I often turn to Voxengo Boogex. I use that one in parallel, most often on a sub-bus that I mostly send drums to. Another favorite, although limited in applications, is Redopter from D16 Group. Doesn't have Saturn's modulation toys, but it has a wider range (for me) of usable distortion models. But it is the most versatile harmonic exciter I've ever used. Unfortunately, you can't buy it separately so unless you're ready to invest some $$ in Ozone, it's not an option. My most-used distortion plugin is the standalone Exciter module from Ozone Advanced. So I only use the tube and tape algorithms, and at gentle settings. Saturn does really well with subtle distortion (great for brightening acoustic guitars, for example), but its more extreme algorithms are beyond anything I'd ever use. However, Saturn is not the only harmonic distortion plugin that I use. Many overlook its extensive modulation capabilities, which let you do interesting things such as making a fingered bass sound like it was played with a plectrum. I've used it on a wide variety of sources, from drums to vocals. Whether it is worth the price is for each person to decide. FabFilter has a good reputation and does a good job on their plug-ins but they aren't going to make or break a whole mix. However, they are expensive, in comparison to some others, and you could probably find other cheaper ones.
Once you own one the price on the others starts to come down. If you want to get into Fab Filter plug-ins this is one you can find on sale or second hand. 4) Izotope Trash, Melda MMultibandDistortion, MMultibandSaturation, Guitar Amp sims etc. I got it off KVR for a discount so I guess it wasn't worth the full price to me. You could use it for anything that you wanted to saturate or distort 3) Depends. I have a couple of questions regarding Saturn: 1) How do you like it? 2) What do you use it for? 3) Is it worth the money? 4) Alternatives?ġ) I like the user interface, multi-band, lots of modulation options if you use those, lots of variations of sound 2) I use it mostly for bass guitar, drums, on some synth sounds. Amiller I'm a big fan of the Fabfilter plugs I have so far.
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